Ms. Gilot, also a painter, inspired Picasso’s “Femme au Collier Jaune” from May 1946.
She’s almost 90 and still living very much in the present, quietly painting every day in her West Side studio. Yet Françoise Gilot —Picasso’s muse and lover and the mother of two of his children — is about to revisit her past.
In May, John Richardson, Picasso’s biographer, together with Valentina Castellani, a director of the Gagosian Gallery, will present an exhibition that chronicles the years when Ms. Gilot and Picasso were together — from roughly 1943 through 1952 — living in Vallauris, a small hillside town near Cannes in the south of France. It will be the gallery’s fourth Picasso exhibition and will include paintings, sculptures, drawings, pottery and prints.
Ms. Gilot, almost 90, still paints every day in her West Side studio. Her 1952 work, “The Painters.”
She’s almost 90 and still living very much in the present, quietly painting every day in her West Side studio. Yet Françoise Gilot —Picasso’s muse and lover and the mother of two of his children — is about to revisit her past.
In May, John Richardson, Picasso’s biographer, together with Valentina Castellani, a director of the Gagosian Gallery, will present an exhibition that chronicles the years when Ms. Gilot and Picasso were together — from roughly 1943 through 1952 — living in Vallauris, a small hillside town near Cannes in the south of France. It will be the gallery’s fourth Picasso exhibition and will include paintings, sculptures, drawings, pottery and prints.
Ms. Gilot, almost 90, still paints every day in her West Side studio. Her 1952 work, “The Painters.”
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