Deirup's paintings and works on paper present a surreal interplay between human creations and their digital counterparts. Gem-encrusted flowers sprout inexplicably from barren landscapes, while familiar objects like vessels and spray bottles materialize in unexpected settings. These seemingly nonsensical arrangements evoke an eerie sense of the uncanny, hinting at a world where the boundaries between the real and the simulated are blurring.
The absence of human figures in Deirup's works further accentuates this feeling of displacement. A gloved hand, a solitary symbol of human presence, serves as a mask for the underlying robotic form. Spray bottles, once inanimate objects, take on an almost anthropomorphic quality, their plastic forms imbued with a sense of life.
Deirup's artistic exploration delves into the mind of a sentient robot, seeking to understand the points of friction where human thought and communication intersect with the limitations of AI. In her work "Year Zero," she imagines AI's interpretation of the biblical story of Genesis, leading to a comical misunderstanding where a tennis ball replaces the symbolic fruit on the Tree of Life.
This seemingly unintentional act of symbolism highlights the inherent differences between human and machine cognition. While humans are driven by an innate desire to find meaning and order, AI's attempts to replicate this process often result in errors, ironically leading to the humanization of the machine.
Deirup's exhibition serves as a powerful reminder of the profound impact AI is having on our society. As we continue to integrate AI into our lives, it's crucial to engage in critical discussions about the potential consequences of this technology. Deirup's work invites us to confront these questions, challenging us to consider the future we want to create for ourselves and for the machines we've brought into existence.
Currently on view in NY at Hesse Flatow
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